Amsterdam Bread Company
The windmill is typical within the landscape of Holland. We all know how it looks at the outside, it is a cliché image for the Dutch landscape, a common knowledge. This tower with its typical mill wicks is the starting point of this concept, ‘the bakery ’. Our goal was to create an atmosphere of the inside of the windmill, this fits perfectly as a starting point for this project.
Using the caracteristics of the milling process, the millstone, the mechanical aspect of milling….is recognisable for every visitor. Showing the inside of the mill will not only be the look and feel of the concept, but it also has an educational experience.
The windmill is typical within the landscape of Holland. We all know how it looks at the outside, it is a cliché image for the Dutch landscape, a common knowledge. This tower with its typical mill wicks is the starting point of this concept, ‘the bakery ’. Our goal was to create an atmosphere of the inside of the windmill, this fits perfectly as a starting point for this project.
Using the caracteristics of the milling process, the millstone, the mechanical aspect of milling….is recognisable for every visitor. Showing the inside of the mill will not only be the look and feel of the concept, but it also has an educational experience.
The windmill is typical within the landscape of Holland. We all know how it looks at the outside, it is a cliché image for the Dutch landscape, a common knowledge. This tower with its typical mill wicks is the starting point of this concept, ‘the bakery ’. Our goal was to create an atmosphere of the inside of the windmill, this fits perfectly as a starting point for this project.
Using the caracteristics of the milling process, the millstone, the mechanical aspect of milling….is recognisable for every visitor. Showing the inside of the mill will not only be the look and feel of the concept, but it also has an educational experience.
The windmill is typical within the landscape of Holland. We all know how it looks at the outside, it is a cliché image for the Dutch landscape, a common knowledge. This tower with its typical mill wicks is the starting point of this concept, ‘the bakery ’. Our goal was to create an atmosphere of the inside of the windmill, this fits perfectly as a starting point for this project.
Using the caracteristics of the milling process, the millstone, the mechanical aspect of milling….is recognisable for every visitor. Showing the inside of the mill will not only be the look and feel of the concept, but it also has an educational experience.
The windmill is typical within the landscape of Holland. We all know how it looks at the outside, it is a cliché image for the Dutch landscape, a common knowledge. This tower with its typical mill wicks is the starting point of this concept, ‘the bakery ’. Our goal was to create an atmosphere of the inside of the windmill, this fits perfectly as a starting point for this project.
Using the caracteristics of the milling process, the millstone, the mechanical aspect of milling….is recognisable for every visitor. Showing the inside of the mill will not only be the look and feel of the concept, but it also has an educational experience.
This idea, along with other characteristic elements of Maastricht, has been subtly translated into the interior design and branding. The layout and division of space mirror the Maas. A central, broad gesture distinguishes itself through the use of materials, colors and height differences within the center of the space and connects various facets and functions with each other. This central element contains all the core functions such as the open kitchen, stairs to the second floor, bar and stage.
This idea, along with other characteristic elements of Maastricht, has been subtly translated into the interior design and branding. The layout and division of space mirror the Maas. A central, broad gesture distinguishes itself through the use of materials, colors and height differences within the center of the space and connects various facets and functions with each other. This central element contains all the core functions such as the open kitchen, stairs to the second floor, bar and stage.
This idea, along with other characteristic elements of Maastricht, has been subtly translated into the interior design and branding. The layout and division of space mirror the Maas. A central, broad gesture distinguishes itself through the use of materials, colors and height differences within the center of the space and connects various facets and functions with each other. This central element contains all the core functions such as the open kitchen, stairs to the second floor, bar and stage.
This idea, along with other characteristic elements of Maastricht, has been subtly translated into the interior design and branding. The layout and division of space mirror the Maas. A central, broad gesture distinguishes itself through the use of materials, colors and height differences within the center of the space and connects various facets and functions with each other. This central element contains all the core functions such as the open kitchen, stairs to the second floor, bar and stage.
This idea, along with other characteristic elements of Maastricht, has been subtly translated into the interior design and branding. The layout and division of space mirror the Maas. A central, broad gesture distinguishes itself through the use of materials, colors and height differences within the center of the space and connects various facets and functions with each other. This central element contains all the core functions such as the open kitchen, stairs to the second floor, bar and stage.
The floorplan is a circular set up, built around the milling stone. The floor in the center, the hart of the seating zone, is made in a kind of concrete, it shows the pattern and roughness of the milling stone. This axis floorzone goes over into the central axis feature, connected into the circular table made like a millingstone. This goes to a mechanical wheelwork system into the free flow. And every item of seating elements, is oriented onto this central feature.
The circular outside border of the mill, the seating zone, is build in vertical wood poles, referring to the corn in the field. These elements are part of the bench seating, at the inside of the circle. The outside of the circle refers to the cornfield around the mill, seating elements are made like hay bales, lying in the field. Some chairs are foreseen with little wicks as a wink to the surrounding mills standing in the field.
The floorplan is a circular set up, built around the milling stone. The floor in the center, the hart of the seating zone, is made in a kind of concrete, it shows the pattern and roughness of the milling stone. This axis floorzone goes over into the central axis feature, connected into the circular table made like a millingstone. This goes to a mechanical wheelwork system into the free flow. And every item of seating elements, is oriented onto this central feature.
The circular outside border of the mill, the seating zone, is build in vertical wood poles, referring to the corn in the field. These elements are part of the bench seating, at the inside of the circle. The outside of the circle refers to the cornfield around the mill, seating elements are made like hay bales, lying in the field. Some chairs are foreseen with little wicks as a wink to the surrounding mills standing in the field.
The floorplan is a circular set up, built around the milling stone. The floor in the center, the hart of the seating zone, is made in a kind of concrete, it shows the pattern and roughness of the milling stone. This axis floorzone goes over into the central axis feature, connected into the circular table made like a millingstone. This goes to a mechanical wheelwork system into the free flow. And every item of seating elements, is oriented onto this central feature.
The circular outside border of the mill, the seating zone, is build in vertical wood poles, referring to the corn in the field. These elements are part of the bench seating, at the inside of the circle. The outside of the circle refers to the cornfield around the mill, seating elements are made like hay bales, lying in the field. Some chairs are foreseen with little wicks as a wink to the surrounding mills standing in the field.
The floorplan is a circular set up, built around the milling stone. The floor in the center, the hart of the seating zone, is made in a kind of concrete, it shows the pattern and roughness of the milling stone. This axis floorzone goes over into the central axis feature, connected into the circular table made like a millingstone. This goes to a mechanical wheelwork system into the free flow. And every item of seating elements, is oriented onto this central feature.
The circular outside border of the mill, the seating zone, is build in vertical wood poles, referring to the corn in the field. These elements are part of the bench seating, at the inside of the circle. The outside of the circle refers to the cornfield around the mill, seating elements are made like hay bales, lying in the field. Some chairs are foreseen with little wicks as a wink to the surrounding mills standing in the field.
The floorplan is a circular set up, built around the milling stone. The floor in the center, the hart of the seating zone, is made in a kind of concrete, it shows the pattern and roughness of the milling stone. This axis floorzone goes over into the central axis feature, connected into the circular table made like a millingstone. This goes to a mechanical wheelwork system into the free flow. And every item of seating elements, is oriented onto this central feature.
The circular outside border of the mill, the seating zone, is build in vertical wood poles, referring to the corn in the field. These elements are part of the bench seating, at the inside of the circle. The outside of the circle refers to the cornfield around the mill, seating elements are made like hay bales, lying in the field. Some chairs are foreseen with little wicks as a wink to the surrounding mills standing in the field.
This circle shape guides the visitors into the free flow, into the zone with a range of products related to bread. The dough for the bread is kneaded right in front of the visitor. The bread is freshly backed in the oven. All items are connected in a way to the mill, the milling process and the flour product itself.
This circle shape guides the visitors into the free flow, into the zone with a range of products related to bread. The dough for the bread is kneaded right in front of the visitor. The bread is freshly backed in the oven. All items are connected in a way to the mill, the milling process and the flour product itself.
This circle shape guides the visitors into the free flow, into the zone with a range of products related to bread. The dough for the bread is kneaded right in front of the visitor. The bread is freshly backed in the oven. All items are connected in a way to the mill, the milling process and the flour product itself.
This circle shape guides the visitors into the free flow, into the zone with a range of products related to bread. The dough for the bread is kneaded right in front of the visitor. The bread is freshly backed in the oven. All items are connected in a way to the mill, the milling process and the flour product itself.
This circle shape guides the visitors into the free flow, into the zone with a range of products related to bread. The dough for the bread is kneaded right in front of the visitor. The bread is freshly backed in the oven. All items are connected in a way to the mill, the milling process and the flour product itself.
